Sculpture For Sale - Price Range: $5000 - $10000

Page 2 of 15
Discover 416 original sculpture artworks for sale between $5000 - $10000. Contemporary emerging artists: Sue Jacobsen, Harry Weisburd, Andrew Wielawski, Ildiko Toth, Jack Earley, Eric Jacobson, Ed Pennebaker, Gary Chris Christopherson, Zamin Sangtarash, Yves Goyatton, Julia Cake, Tzipi Biran, Zakir Ahmedov, Stephen Vattimo, Robbie O Carroll, Mihail Simeonov are exhibiting their affordable original art. You can buy artwork online and browse 15 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Sue Jacobsen: 'Cassidy', 1996 Bronze Sculpture, Dogs. A commissioned portrait originally, she now is a memorial to an old friend, watching the birds in her garden. A second edition accepts pats on the head on a downtown Corvallis Oregonsidewalk, part of the city' s public art program. ...
, 1996
Dogs - Sculpture
18 x 30 inches (45.7 x 76.2 cm)
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Harry Weisburd: 'Woman with a cup   PORTRAIT OF  JOAN', 2000 Bronze Sculpture, Figurative. Woman with a cup is a life size bronze casting portrait....
Figurative - Sculpture
15 x 48 inches (38.1 x 121.9 cm)
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Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Ildiko Toth: 'Malaga Full Installation', 1994 Ceramic Sculpture, Architecture. Full Powder Room Installation...
Architecture - Sculpture
10 x 10 feet (3.05 x 3.05 m)
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Ildiko Toth: 'Malaga Installation1', 1994 Ceramic Sculpture, Architecture. Handbuilt Powder Room fantasy, inspired by the beauty of Andaluzia, with sculpturesque accessories for uniquespaces....
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Jack Earley: 'Great Eagle', 1991 Wood Sculpture, Birds. : I like working with wood in doing what I call construction sculpture. That is, I like to think of putting a sculpture together using actual or psuedo- construction techniques. This eagle has no nails or glue. It is held together with tongue- in- groove techniques and with wooden pegs. How...
Birds - Sculpture
79 x 61 inches (200.7 x 154.9 cm)
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Eric Jacobson: 'Nature in Balance', 1997 Steel Sculpture, Other. This painted steel sculpture is about balance and nature as displayed in the suspended mandela. The piece balances on its small base although it is slanted to one side. ...
Other - Sculpture
5 x 8 feet (1.52 x 2.44 m)
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Ed Pennebaker: 'chandelier number 553', 2019 Glass Sculpture, Abstract. Sculptural lighting with 89 glass pieces on steel armature.  Stainless steel cable and canopy cover included to hang chandelier from ceiling...
Abstract - Sculpture
38 x 28 inches (96.5 x 71.1 cm)
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Ed Pennebaker: 'chandelier number 639', 2019 Glass Sculpture, Abstract. Sculptural light consists of 110 glass pieces on a steel armature with lighting inside.  Stainless steel cable and canopy cover included to hang chandelier from ceiling. ...
Abstract - Sculpture
46 x 27 inches (116.8 x 68.6 cm)
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Ed Pennebaker: 'chandelier number 539', 2019 Glass Sculpture, Abstract. Sculptural lighting work consists of 100 glass pieces on a steel framework.  Includes hardware to hang chandelier 12 inches from ceiling. ...
Abstract - Sculpture
38 x 27 inches (96.5 x 68.6 cm)
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Gary Chris Christopherson: 'envision earth embraced', 2018 Mixed Media Sculpture, Abstract. Envision earth and all its creatures embraced to achieve sustained thriving for all everywhere for all time.Acquire GChris sculpture and 100  of Chris  payment goes for Thrive  Scholarships at University of Wisconsin - Madison. ...
Abstract - Sculpture
3 x 3 feet (0.91 x 0.91 m)
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Zamin Sangtarash: 'wrung', 2018 Clay Sculpture, People. It s about women in my part of the world: ...
, 2018
People - Sculpture
30 x 36 inches (76.2 x 91.4 cm)
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Yves  Goyatton: 'The Weight of Time', 2017 Bronze Sculpture, Figurative. Contemporary bronze sculpture created in 2017 The Weight of time refer to the duality and complexity of life and death symbolized by this two parallel shapes. It won an award at the Palo Alto Pacific Art league in 2017....
Figurative - Sculpture
12 x 15 inches (30.5 x 38.1 cm)
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Julia Cake: 'snow bird', 2017 Other Sculpture, Abstract Figurative. Snow Bird by Julia Cake...
, 2017
Abstract Figurative - Sculpture
26 x 61 cm (10.2 x 24.0 inches)
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Tzipi Biran: 'mother s hands', 2017 Marble Sculpture, Portrait. Carrara marble, girl, face. hand, hair, figurative, young woman...
Portrait - Sculpture
25 x 34 cm (9.8 x 13.4 inches)
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Tzipi Biran: 'a woman braids', 2017 Marble Sculpture, Portrait. Carrara stone.woman, braid, hair, face, figurative, old woman...
Portrait - Sculpture
25 x 39 inches (63.5 x 99.1 cm)
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Zakir Ahmedov: 'I am and SHE', 1997 Bronze Sculpture, nudes.  . I am and SHE1997 year. bronze 45X25X22cm. ...
nudes - Sculpture
45 x 25 cm (17.7 x 9.8 inches)
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Zakir Ahmedov: 'Three friends', 1999 Bronze Sculpture, nudes.  Three friends 1999year. bronza. . 56x28x16cm...
nudes - Sculpture
56 x 28 cm (22.0 x 11.0 inches)
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Zakir Ahmedov: 'MOMENT', 2002 Bronze Sculpture, nudes. MOMENT2002year. bronze 50x17x15. cm...
, 2002
nudes - Sculpture
50 x 17 cm (19.7 x 6.7 inches)
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Zakir Ahmedov: 'SUMMER', 2009 Bronze Sculpture, nudes.  SUMMER 2009 year bronza 40x25x18cm...
, 2009
nudes - Sculpture
40 x 25 cm (15.7 x 9.8 inches)
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Zakir Ahmedov: 'Meditation', 2012 Bronze Sculpture, Abstract.  Meditation. 2012 year , bronza h16x30x16cm 8500 Meditation. 2012 year , bronza h16x30x16cm 8500 ...
, 2012
Abstract - Sculpture
16 x 30 cm (6.3 x 11.8 inches)
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Stephen Vattimo: 'Idolized Mask', 2016 Other Sculpture, Surrealism.  Well friends,I went to Chads Ford to stand my my pumpkin at The Great Pumpkin Carve, put on by The Chads Ford Historical society.I brought with me a light to shine on my creation. I stood by my pumpkin greeted onlooker and answer questions.I was so surprised...
Surrealism - Sculpture
36 x 24 inches (91.4 x 61.0 cm)
Robbie O Carroll: 'Appeal to the Great Spirit', 2016 Bronze Sculpture, Abstract.
Abstract - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
Mihail Simeonov: 'Thr mirror', 1973 , Abstract.  beauty, portrait, head, pastel, construction      ...
, 1973
Abstract -
17 x 22 inches (43.2 x 55.9 cm)
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Mihail Simeonov: 'Bullfighter', 2016 Other Sculpture, Beauty.   paper sculpture         ...
Beauty - Sculpture
8 x 26 inches (20.3 x 66.0 cm)
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Robbie O Carroll: 'Hecuba', 2016 Bronze Sculpture, Abstract.
, 2016
Abstract - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
Robbie O Carroll: 'Trinity', 2016 Bronze Sculpture, Abstract Figurative.
, 2016
Abstract Figurative - Sculpture
12 x 14 inches (30.5 x 35.6 cm)
Robbie O Carroll: 'Trancendance ', 2016 Bronze Sculpture, Abstract.
Abstract - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
Robbie O Carroll: 'The Awakening ', 2015 Bronze Sculpture, Abstract.
Abstract - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
Mihail Simeonov: 'skywalker', 2016 Mixed Media Sculpture, Abstract.  aluminum wall sculpture  ...
, 2016
Abstract - Sculpture
14 x 15 inches (35.6 x 38.1 cm)
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(Page 2 of 15) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Ed Pennebaker - Ed Pennebaker Red Fern Glass Statement: At a time when many designers/artists leave the crafting of their designs to apprentices, fellow craftsmen, or even a factory style setting, it is rare for the designer to continue as the maker. For me working directly with the glass is a time of zen, a period when I can concentrate on one thing only, the glass, a time to leave the rest of the world behind. I see my work belonging to a contemporary line of the "decorative arts" that developed from the arts and crafts movement where craftsmanship is of the utmost importance. Striving for the "perfect object" is the goal of the craftsman/designer and working directly with the materials at hand provides the greatest satisfaction for me. The most important aspects of glassmaking are light, color and form. I want my work to take advantage of the luminous quality of light. Light coming through the glass reveals texture and pattern and casts colors and shadows so the glass work interacts with its environment and becomes a pure visual feast. The jewel like colors of glass, the individual forms of the pieces and the light from within work as a ...

    Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...

    Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

    Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

    Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

    Tzipi Biran - Robbie O Carroll - When I Graduated from Harvard University my sculpturing followed the traditional cubist approach, but over time the wood started to dictate its own direction and continues that way today. Sometime I will look at a piece of wood, or the combination of pieces of wood, for over a year before it comes to me what its final shape should be and even then it continues to change during the sculpturing process. Someone once called my work enigmatic, and maybe it is, because that is what interests me, the indescribable mystery that can only be revealed in a work of Art. ...