Sculpture For Sale - Price Range: $5000 - $10000

Page 6 of 14
Discover 384 original sculpture artworks for sale between $5000 - $10000. Contemporary emerging artists: Andrew Kasper, Gary Chris Christopherson, William Nelson, Julia Cake, Oksana Steplyuk, Ana Marin, David Vanorbeek, John Searles, Roland Boren, Sadat Edriss Bwambale, Vladimir Gavronsky, Denis Isakov, Leonard Bey, Angelo Mazzoleni, Burhan Sabir, Yucel Donmez, Remo Belletti, Richard Pitts are exhibiting their affordable original art. You can buy artwork online and browse 14 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Gary Chris Christopherson: 'thriving through lifes chaos', 2008 Steel Sculpture, Abstract. Challenges that we should be thriving through lifes chaos rather than giving in to it when it threatens and surrounds us.  Within the steely chaos surrounding peoples lives, life can thrive.  Moving through and out of chaos, life can achieve higher levels of being.Acquire GChris sculpture and 100 of ...
Abstract - Sculpture
5 x 5 feet (1.52 x 1.52 m)
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Gary Chris Christopherson: 'creative blackspace', 2008 Mixed Media Sculpture, Abstract.  Providing space that is void and both linear andnonlinear and providing the basic building blocks of line, curve, and circle, challenges us to creatively act.Acquire GChris sculpture and 100 of Chris payment goes for Thrive Scholarships at University of Wisconsin - Madison. ...
Abstract - Sculpture
2 x 4 feet (0.61 x 1.22 m)
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William Nelson: 'Sun Flower', 2009 Mixed Media Sculpture, Abstract Figurative.
, 2009
Abstract Figurative - Sculpture
3 x 8 feet (0.91 x 2.44 m)
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Julia Cake: 'Evasion', 2007 Stone Sculpture, Transportation.
, 2007
Transportation - Sculpture
40 x 40 cm (15.7 x 15.7 inches)
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Oksana Steplyuk: 'in between spaces', 2008 Other Sculpture, Conceptual.
Conceptual - Sculpture
45 x 180 cm (17.7 x 70.9 inches)
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Ana Marin: 'COSMOS', 2006 Mixed Media Sculpture, Cosmic.  little jewel for a wall ...
, 2006
Cosmic - Sculpture
10 x 10 cm (3.9 x 3.9 inches)
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David Vanorbeek: 'abstract Elegance ', 2007 Steel Sculpture, Abstract.  metal wire sculpture see also
Abstract - Sculpture
60 x 230 cm (23.6 x 90.6 inches)
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Julia Cake: 'L Homme ', 2007 Stone Sculpture, Abstract Landscape. L Homme escape has come home from Monte Carlo, along with Bliss, Evasion and La Grace which have all been on loan for exhibitions, in venues throughout Monaco. ...
, 2007
Abstract Landscape - Sculpture
21 x 34 cm (8.3 x 13.4 inches)
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David Vanorbeek: 'abstract Elegance ', 2007 Steel Sculpture, Abstract.  metal wire sculpture see also
Abstract - Sculpture
60 x 230 cm (23.6 x 90.6 inches)
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Julia Cake: 'Snow Bird', 2015 Stone Sculpture, Animals. Snow Bird by Julia Cake ...
, 2015
Animals - Sculpture
26 x 61 cm (10.2 x 24.0 inches)
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Julia Cake: 'Le Visage  Auto Portrait', 2015 Stone Sculpture, People. Unique piece of Marble,Priceless StonesA beautiful stone . . . ...
People - Sculpture
40 x 200 cm (15.7 x 78.7 inches)
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John Searles: 'Rotating Triangles', 2007 Other Sculpture, Geometric. Sold - Welcoming Commissions in any color.16 level wall sculpture, 55 x 55 x 55 x 8, made from copper with brass and flame induced patina, 45 lbs. , laminated to 1/ 4
Geometric - Sculpture
55 x 55 inches (139.7 x 139.7 cm)
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John Searles: 'Thunderbird', 2007 Other Sculpture, Geometric. Sold - Commissions welcome in any color.10 rectangles and 9 straight pieces are cut from a flat sheet of copper onto which a spiral of brass has been melted and a exotic patina induced with the flame torch, then assembled to create a Thunderbird design. The copper is laminated to ...
Geometric - Sculpture
81 x 50 inches (205.7 x 127.0 cm)
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Roland Boren: 'Ftlj', 2000 Aluminum Sculpture, Figurative.
, 2000
Figurative - Sculpture
104 x 78 cm (40.9 x 30.7 inches)
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Sadat Edriss Bwambale: 'Japanise Dragon', 2008 Wood Sculpture, Culture. It is a Japanise Dragon explaining the meaning of God as used in thier temple. According to moslims it is says God the ruler of this planet  earth no one is near to him in everything. ...
Culture - Sculpture
10 x 10 cm (3.9 x 3.9 inches)
Vladimir Gavronsky: 'Wall', 2007 Wood Sculpture, undecided.
, 2007
undecided - Sculpture
40 x 93 cm (15.7 x 36.6 inches)
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Vladimir Gavronsky: 'Sumo', 2005 Wood Sculpture, undecided.
, 2005
undecided - Sculpture
78 x 58 cm (30.7 x 22.8 inches)
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Vladimir Gavronsky: 'Sumo', 2006 Wood Sculpture, undecided.
, 2006
undecided - Sculpture
75 x 47 cm (29.5 x 18.5 inches)
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Denis Isakov: 'The crucifixion', 2007 Other Sculpture, Religious.  Tusk of a mammoth, ancient oak.A carving, manual job. ...
Religious - Sculpture
15 x 30 cm (5.9 x 11.8 inches)
Leonard Bey: 'Roots of Stone', 2008 Stone Sculpture, Other.  This is a small works dedicated to stones. one can enjoy the beauty of both natural and carved of the stone. ...
Other - Sculpture
8 x 12 inches (20.3 x 30.5 cm)
Angelo Mazzoleni: 'Linea di confine', 2008 Mixed Media Sculpture, Conceptual.  period new sincretic art and contemporary problems ...
Conceptual - Sculpture
100 x 60 cm (39.4 x 23.6 inches)
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Burhan Sabir: 'man', 2008 Other Sculpture, Abstract.
, 2008
Abstract - Sculpture
50 x 220 cm (19.7 x 86.6 inches)
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Yucel Donmez: 'The Women', 2006 Other Sculpture, Representational.  Acrylic on zinc sculpture ...
, 2006
Representational - Sculpture
26 x 73 cm (10.2 x 28.7 inches)
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Burhan Sabir: 'man', 2008 Other Sculpture, Abstract.  one hand ...
, 2008
Abstract - Sculpture
80 x 150 cm (31.5 x 59.1 inches)
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Sadat Edriss Bwambale: 'Slave trade in the ancient days', 2007 Wood Sculpture, Education. In the past days People were regarded as animals. There were treated not humanly. But like nothing. This hapened to African people too. Many were being touchered by outsides. But since God does exist, They stoped the manner. But many of our brothers are out there, they have lost their ...
Education - Sculpture
2 x 3 feet (0.61 x 0.91 m)
Remo Belletti: 'chrisalid 2006', 2006 Wood Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
120 x 230 cm (47.2 x 90.6 inches)
Richard Pitts: 'Hood River', 2007 Wood Sculpture, Abstract.  This relief Sculpture is composed of many wood shapes that are painted and printed.The forms wind around each other forming a twisting structure of many colors and shapes. The color is painted canvas and fabriano paper.   ...
, 2007
Abstract - Sculpture
30 x 48 inches (76.2 x 121.9 cm)
Richard Pitts: 'Amazon', 2006 Wood Sculpture, Abstract.  This is a low relief sculpture made of a woodcut printed on Fabriano paper mounted on a wood support. It is very light weight. It has mounting brackets that hold it about 4 inches from the wall allowing the play of shawdows which enhance its three dimensions. . ...
, 2006
Abstract - Sculpture
35 x 48 inches (88.9 x 121.9 cm)
Richard Pitts: 'Gaia', 2007 Wood Sculpture, Abstract.
, 2007
Abstract - Sculpture
45 x 56 inches (114.3 x 142.2 cm)
Hal Goldberg: 'Kinder Fun Maidanek ', 1986 Stone Sculpture, Holocaust.  This sculpture is based on the poem by the famous Yiddish writer Aaron Zeitlin, written in 1946. My sculpture memorializes the children who were murdered in Maidanek. It reflects Zeitlin's poem, and has no head, no arms, no legs. And no womb - there are, and will be, no children...
Holocaust - Sculpture
12 x 24 inches (30.5 x 61.0 cm)
(Page 6 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...

    William Nelson - The Corporate Lease Program, initiated in 1994, leases one of a kind fine art and limited addition fine art prints to the Washington D.C., Maryland and Virginia community on a monthly basis. Businesses may choose from a variety of works or have custom art created for them. The works vary from realism to abstraction, reflecting in its variety of techniques and styles the evolution in fine art. Leasing has many benefits. While businesses obtain quality art at a fraction of the cost of purchasing their own, the lease fees are used to purchase supplies each year, helping the struggling artist community stay creative. In addition, by placing art in the community, businesses help our collection serve as an outreach program to educate and familiarize the D.C., Maryland, and Virginia community with America's leading contemporary artists and the Where Art Thou family. The lease fees of the matted and framed prints range from $25 to $500 per month including insurance, delivery and installation in the company's office. After the 23-month leasing period, the works are collected and returned to the Where Art Thou gallery where the entire collection is again made available for lease to businesses ...

    Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

    David Vanorbeek - Metal speaks to me. Firstly it calls to me, drawing me to it with a magnetic pull that is impossible to resist. I might be walking or driving when suddenly I know for certain that discarded and abandoned metal is nearby, waiting for me to find it. And I always do. And then, when I see the beauty of the metal, it speaks to me again, telling me how it must be worked and shaped into a piece of sculpture that everyone can enjoy and share. For me, the great joy in my work comes from turning something considered worthless into the artwork it becomes. In this way I am showing my respect for the metal. The thread that runs like red wire through all my work is recycling. If I could, I would turn all the old metal and scrap iron I find into a museum of modern art. Just thinking of this idea makes my heart beat faster. My work has developed and taken different directions over the past ten years, but was originally inspired by insects. In the same way, I see the beauty in these tiny and delicate, but at the same time immensely strong and ...

    John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

    Leonard Bey - The urge to know self has been the key role to explore the real and unrealworld.Through this exploration I have come across so many people,nature,culture etc. of the world and thus has become part of my works either in the form of paintings or in sculptures.......

    Angelo Mazzoleni - ARTISTS ITALIAN CONTEMPORARY: BIOGRAPHY ESSENTIAL ARTIST Angelo Mazzoleni was born in Florence on June 7, 1952 .. It starts soon his artistic activity, cultivated already in the youth, under the guidance of some teachers and attending courses at the Accademia Carrara Bergamo.In these years, participates in the first exhibitions painting in Lombardy and in other Italian regions. Some travel, particularly in Germany and Paris, enrich his artistic and cultural baggage and affect its first part of pittorica.Si also interested in discovering paleontology in particular some important fossils, donated to museums in Milan and Bergamo, including a erionide a generally still unknown and which was given its name in the relevant publications scientifiche.L'interest in the mystery of the past, for history, especially early in his ancestral size, is one of the other elements that characterize the His research also in the field of painting, even before the foundation, with other artists, the group "NEW ART SINCRETICA." "The evolutionary path of the artist, now thirty years, is marked by a personal search for the origins of the world of its vital forces Which, despite the variety of themes and techniques, appears as a single inner journey through time and ...

    Yucel Donmez - Yucel Donmez's place in Turkish and American Art History: Yucel Donmez has been continuing his artistic work in Chicago since 1980. He has staged many exhibitions both in Turkey and in the States and was accepted into one of the most influential art encyclopaedias to shape American art history, 'Who is Who in American Art' in 2000. His inclusion in the 'Biographical Encyclopaedia of American Painters, Sculptors and Engravers of the U.S.' in 2002, followed by the 'Devonport's Art Reference' encyclopaedia, Donmez has secured a permanent place in American art history. Yucel Donmez also appears among the 63 artists from Chicago to have entered the renowned art reference book, 'Art Diary International', published every year by the famous 'Flash Art' magazine in Italy. Awards: 2003 'Who is Who in American Art' prize plaquette Donmez has been recognised by American art critics (Alan Artner, Chicago Tribune, 1989) as an artist who has shed new light upon the art of painting with his self-developed painting techniques. He obtained 'The National Medal of Art' one of the most important awards in the United States in 1995, for his 11-year-long ...

    Richard Pitts - My work ,as the totem format may indicate, digs deep withing certain traditional forms of art. Ancient cave art forms a space orientation not dissimilar to the space of a temple or of a cathedral. The sculptural direction in my work establish and reflect a felt environment and evoke a staged space. Like columns in a temple or cathedral, they make space for a kind of thought. My totems reflect space. They are about making viable the invisible that surround them. A single fragment of sculpture like a single Greek column makes visible the wonder of a whole building. This wonder is the space, the building block of scared thoughts not just about making visable the invisible but emphasizing that which is not seen as most important and without boundaries. In fact this obelisk, totem like format condenses and implodes, drawing in the invisible and showing for a brief moment the visible cathedral of natural forms within a new pictorial format without boundaries and briefly holding time still. www.richardpitts.com ...