Sculpture For Sale - Price Range: $5000 - $10000

Artists Describing Their Art:

Jim Collins - Jim Collins is primarily a Public Art sculptor working in a figurative manner. His sculpture style has been characterized by the use of silhouettes of people and animals constructed of stainless steel, aluminum, and other metals, best exemplified by his long running series the WATCHER. The peaceful figure of the seated man has progressed over the years and can be found in both public and private collections in the United States and Ireland with the majority located in the Southeastern United States. Colorful silhouettes of figures and animals can be seen from the Emerald Isle with large cows along freeways to Firemen and Dalmatians in Plano Texas with the latest additions in Balbriggan Ireland and Colorado Springs. Recently Collins has added complex polychrome enamel painting to selected silhouettes, i.e. the female figure. "Rejoyce" is the newest silhouette in natural brushed finished aluminum with powder coat and enamel. More examples can be seen at www.collins3d.com. His mixed media collages with assemblage frames are somewhat challenging in that the art is not finalized until the viewer completes it. In general, there is no prearranged single story, idea, or philosophy inherent in the work. Because the work is made of...

John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

Jason Messinger - Jason Messinger creates ceramic art that straddles the cool allure of pure abstraction and the hot recognition of representation. His art explores the fuzzy borders between representation and abstraction, identity and design, meaning and beauty. Sculptures that are abstract in shape but with a figurative sensibility, and tile murals with symbolic imagery that tease the viewer into becoming complicit in their meaning. The sculptures are solidly present while expressly fluid. They change appearance with the viewers' perspective, transforming in shape and direction. Each face of the work functions like movements of a dance, with unexpected turns. Different perspectives on the work converse with each other, creating a circular narrative of motion and stillness, form and emotion. The artist approaches ceramic tile with a painter's concerns and a sculptor's experience. The idea of abstraction on the edge of identification permeates the work. Images often hint at language, symbol, map, comic strip, or hieroglyph; but only hint, as the symbols remain undefined, transitional. His multi-tile works are modular, allowing any configuration and sequence of the tiles. The murals exhibit a circular narrative, open-ended to interpretation. The viewer becomes complicit in constructing the meaning. Mounting systems allows one to ...

Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...

Michael Tieman - As Michael Tieman sees it, "The role of an artist from the dawn of time has been as a visual storyteller. The stories my paintings and sculpture tell are ones of confidence, strength, passion, playful sophistication and the celebration of life." "I create my bronze sculpture as a three dimensional painting, texture becomes the Impressionistic impasto brushstroke, color is the play of light and shadows across the surfaces, and detail is the impression of movement." ...

Ione Citrin - Ione is an avant garde artist whose artistic expression takes fantastic shape through her diverse oil and watercolor paintings, bronze sculptures, found object collages and mixed media assemblages. Her paintings and sculptures range from abstract to realistic to impressionistic - all visionary interpretations from her imaginative soul. "When I paint, I dip my brush in my soul... Being an Artist is a life force, not a career choice. Each piece represents a fragment of my life's work. I present the world artistically as I see it, as I wish to see it, and occasionally as I once saw it. You see, It is my identity. Without this expression of self, I am nothing. Through my art I give love." Ione uses only one name but a variety of styles to soothe her wild imagination. A native of Chicago, she is a former television star and commercial voice-over artist. Now she wins awards and sells her creativity through her hands instead of through her larynx. Her art is as original as she is - bold, colorful and highly decorative....

Dieter Picchio-Specht - Art, creativity and imagination have always played an important part in my life, although I have only started to fully concentrate on painting a few years ago. This passion has always been part of me. I have finally given up my work as a general manager in industry - to dedicate all my time to painting. At last I do what I have always wanted to do. It is simply that a dream has finally come true. Even during my years at secondary school my paintings were awarded prizes and I should have enrolled in art classes after I passed my A-levels. In fact, a renowned company manufacturing ceramics offered me a scholarship, which I was unable to accept at the time. I have always kept up with painting as landscapes and images, abstract and impressionist. Since some years now I am able to paint full-time and fill canvas after canvas with my ideas. My new studio is right in the centre of the village of Arcegno, surrounded by wooded hills, near to Ascona, a well-known tourist centre at the Lago Maggiore in the South of Switzerland. I apply the paints directly to the canvas with a spatula. ...

Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

Penko Platikanov - Sculpture is an act of creating art, and a philosophy on living. It is my belief that my artwork follows some means of a universal law I call "Creation and Beauty." Stated simply, there is no doubt a responsibility inherent toward created forms. It's quality, it's energy, and the messages released through my actions are expressions that I work toward being aware of. This is the first thing I concern myself with before I step into my studio and stand before the set block of clay on any given day. A quality sculpture has to be a product of spiritual, mental and technical abilities. Great works of art should possess deep roots in human spirituality, as well as depth regarding thought and feeling. Artwork can appear as fleeting inspirations or a belabored process based on the experience of the artist. In turn, if an artwork is created with the intention of lasting decades and being viewed for many generations, it has to be technologically strong and skillfully made. Important thought is the search for quality. Quality, which is proportional to the amount of effort, must be made to the best of the artist's ability. The Ancient Greeks ...

Selin Melek Aktan - God created world from fire and water.Then looked at the earth,he thought it was looking very empty and made human. TO HAVE A MORE FUN He put the colours on his palette and painted world with them. HE GAVE US THIS EARTH AS A PRESENT Human liked his present and they started to dance GOD LOOKED AT HIS ART He enjoyed what he did. I am a very independent person and probably my paintings are too. I don't paint because of the trend, or mode, I paint because something or somebody fascinates me. It could be nature, a face, a story, an event, colors (especially, I adore strong colors ), a song, an object, my feelings, my thoughts, my dreams: never ending possibilities of improbability. I definitely love beauty. I am trying to express my personal sense of beauty and truth in my paintings.So every painting is different. There is not only one style in which I like to work .I traveled to the four corners of the earth, and each place I visited added to my desire for unique artistic expression.Wherever I went, I found new influences directing my brush strokes or guiding my hands ...

Beatriz Cunha - The creation of my pieces starts with the observation of the complex relations established between phenomena as diverse as nature's fertility, man made objects or art history. It's an intimate work in search of integrating conflicting forces, ultimately leading to the transmutation of the parts in to a transcending whole. The shape contains in it self the memory of the evolution from one condition to another in a process of transformation that is at the same time natural, personal and cultural. ...

Mary Eiland - Nature slays me. I am so amazed at how perfect and beautiful it is. My art has been influenced more by nature than anything else in the world. I was lucky enough to grow up "in the sticks" so that my everyday childhood was filled with fishing for crayfish in the creek and playing with tadpoles, frogs and salamanders out of the pond. I also trapped and raised raccoons and opossums. I collected weeds and stones because I loved the textures and colors. I began drawing from nature at a very young age and never lost interest. As an adult I began to be very interested in anything Chinese. Their appreciation and respect for nature in art drew me to study traditional Chinese brush paintings for many years. I had some exceptional brush teachers like Kwok Kay and Alice Choey and Michael and Sarina Poon. The work I do now combines both eastern and western techniques....