Sculpture For Sale - Price Range: $5000 - $10000

Page 9 of 15
Discover 416 original sculpture artworks for sale between $5000 - $10000. Contemporary emerging artists: Maris Grosbahs, Sadat Edriss Bwambale, Stefan Van Der Ende, John Searles, Maurine Holmgren, Bryan Patterson, Richard Becker, Don Dougan, Zahava Sherez, Vadim Kirillov, James Piatt, John H. Freeman, Pica Mertvago are exhibiting their affordable original art. You can buy artwork online and browse 15 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Sadat Edriss Bwambale: 'Portrait', 2004 Wood Sculpture, Figurative. The portrait is of the maneger of spacone company in Uganda Mr. Raddy. It' s made out of muvule wood. Very strong wood. ...
, 2004
Figurative - Sculpture
1 x 2 feet (0.30 x 0.61 m)
Stefan Van Der Ende: 'Only you', 1999 Bronze Sculpture, Inspirational.
, 1999
Inspirational - Sculpture
35 x 28 cm (13.8 x 11.0 inches)
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Stefan Van Der Ende: 'whithout title', 2001 Bronze Sculpture, Abstract. There is and will be only one copy of this sculpture made .Bronze whith two lightbulbs...
Abstract - Sculpture
44 x 88 cm (17.3 x 34.6 inches)
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Stefan Van Der Ende: 'only you', 1999 Aluminum Sculpture, Abstract. casted aluminium...
, 1999
Abstract - Sculpture
35 x 28 cm (13.8 x 11.0 inches)
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John Searles: 'Aluminum Reverse S', 2003 Aluminum Sculpture, Geometric. Sold - Welcoming Commissions in any color.Two sheets of brushed aluminum are laminated to 1/ 4
Geometric - Sculpture
50 x 97 inches (127.0 x 246.4 cm)
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Maurine Holmgren: 'Figure No 1', 1997 Stone Sculpture, Abstract. Carrara Marble and American WalnutMarble section is about 23 inches tall and the Walnut section is about 40 inches tall...
Abstract - Sculpture
0 x 65 inches (0.0 x 165.1 cm)
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Bryan Patterson: 'Evolution Too', 2003 Mixed Media Sculpture, Abstract. Sculpture of wood and stone portrays the evolution of thought from here to the vast spiritual energies of beyond....
Abstract - Sculpture
14 x 52 inches (35.6 x 132.1 cm)
Bryan Patterson: 'Evolution Too', 2003 Mixed Media Sculpture, Abstract. Detail of the sculpture of wood and stone portrays the evolution of thought from here to the vast spiritual energies of beyond....
Abstract - Sculpture
14 x 52 inches (35.6 x 132.1 cm)
Richard Becker: 'Serenity ', 2002 Bronze Sculpture, Figurative.
, 2002
Figurative - Sculpture
16 x 36 inches (40.6 x 91.4 cm)
Don Dougan: 'GODSPEED BARSOOM DEJAH', 2000 Stone Sculpture, Representational. Italian Arabescato Orobico Rosso, Spanish Negro Marquina, Alabama White Cloud, and Belgian Black marbles GODSPEED BARSOOM: DEJAH is one of the newest series I am working on - the Stone Boat series.  The series of ship hulls that contain objects are metaphors for memory and my voyage through life.  This particular ...
Representational - Sculpture
29 x 12 inches (73.7 x 30.5 cm)
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Zahava Sherez: 'Flower Arrangement', 1993 Bronze Sculpture, Figurative.
Figurative - Sculpture
22 x 17 inches (55.9 x 43.2 cm)
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Bryan Patterson: 'To The Core', 2002 Mixed Media Sculpture, Abstract. This one tells varied stories.  See what it does for you.  Touching really helps....
Abstract - Sculpture
12 x 48 inches (30.5 x 121.9 cm)
Richard Becker: 'Serenity', 2002 Bronze Sculpture, Figurative.
, 2002
Figurative - Sculpture
16 x 36 inches (40.6 x 91.4 cm)
Vadim Kirillov: 'A Boat', 2002 Bronze Sculpture, Sports. mainstrim. ...
, 2002
Sports - Sculpture
30 x 170 cm (11.8 x 66.9 inches)
James Piatt: 'undisclosed room with vault', 2000 Mixed Media Sculpture, Other. iron tubes with 23k goldafter botticelli...
Other - Sculpture
5 x 8 feet (1.52 x 2.44 m)
John H. Freeman: 'Mobile 11', 2001 Aluminum Sculpture, Abstract. Inspired by Kandinsky and of course Calder. The second piece to incorporate the use of tines.  ...
, 2001
Abstract - Sculpture
12 x 17 inches (30.5 x 43.2 cm)
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John H. Freeman: 'Mobile 9', 2001 Aluminum Sculpture, Abstract. Inspired directly by a particular work by Alexander Calder....
, 2001
Abstract - Sculpture
48 x 48 inches (121.9 x 121.9 cm)
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John Searles: 'Space Travel', 2000 Other Sculpture, Geometric. Sold - commissions welcomed in any size.Patinas were applied to copper and then the metal was cut, finished and arranged as a framed wall sculpture....
Geometric - Sculpture
49 x 34 inches (124.5 x 86.4 cm)
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John Searles: 'Archimedes Circle', 2000 Other Sculpture, Geometric. Sold - commissions welcomed. Patinas were developed on copper and then the copper was glued to aluminum, cut, finished and arranged. This is an eye- catching wall sculpture designed to be a focal point for the room. Archimedes was a Greek engineer/ mathematician with a life- long interest in' squaring ...
Geometric - Sculpture
48 x 48 inches (121.9 x 121.9 cm)
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Pica Mertvago: 'Modesty', 1999 Bronze Sculpture, Figurative.
, 1999
Figurative - Sculpture
11 x 30 inches (27.9 x 76.2 cm)
(Page 9 of 15) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Maris Grosbahs - By creating my work, I tray to understand, and educate myself and the viewer through my findings, even though I do not really believe in seeking and I do not believe in finding. ...

    Maris Grosbahs - Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

    John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

    Maurine Holmgren - Direct Carving: Direct carving is very different from additive methods and "plastic" carving. In additive methods, for example clay modeling and direct plaster, an armature or core is created and the medium is built-up around the armature. It is also fairly easy to change or "correct" clay and then re-build. In "plastic" carving a maquette or model is made using additive methods, frequently in clay, and then copied into the stone [not necessarily by the artist]. Direct Carving, on the other hand, is a very intimate experience in which the artist liberates the forms inherent in a particular piece of stone [or wood]. By working with the properties of that stone including the grain, crystal structure, texture, hardness, fault lines, shape, etc., a unique artwork is created. Working within the specific limits of each piece of stone my goal is to create a sculpture that moves outside its own boundaries. Stone for all its hardness and strength is very fragile and can be easily bruised and broken. It can also be incredibly recalcitrant and "bite back" forcing a collaboration between the stone and artist in which, it some times seems the stone has the upper hand. The act ...

    Bryan Patterson - Bryan Patterson is a Vermont artist and designer. Bryan is directly descended from Johannes Lapp, a founder of the Amish community in America. Among his relatives is Henry Lapp of the late 1800's. Henry was an amazing deaf mute carpenter/craftsman and has his work displayed in The Philadelphia Museum of Art. Bryan says, i?1/2I've always had a love of wood and began creating with it before learning of my Lapp ancestors.i?1/2 Bryan started woodworking professionally in 1977 and has had his work featured in several publications over the years. Concretions have added the newest development to Bryani?1/2s work. He and his family harvest these treasures while swimming in the gorgeous rivers of Vermont. The real enjoyment comes from their display of as many wonderful pictures they make in the mind's eye like those you see in the clouds. Mythology of the Abenaki Indian says that "Wana-games-ak, reckless creatures or those who have lost their minds, are little people of another genus, who inhabit rivers. They have narrow faces'like the blade of a hatchet', so only the profile has an outline. Their noses are high and aquiline,'so large as to be all ...

    Richard Becker - I believe in the positive potential of humankind and art's role in making the world a better place. And I am committed to do important things with this gift -- to make significant contributions where I can. I also enjoy creating works that just flow from my head. I believe that my progressing deafness plays a profound role; in what I see and how I communicate ideas thru this art. Right now my time is split between these head-works and the exhilarating world of commissions. Perhaps this is all in preparation for my "Hanging Heart," a modern day Trevi Fountain -- and a medal that inspires a great deed. -- rb 2008...

    Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

    Zahava Sherez - Perfect Moment December 2009 My definition of a Perfect Moment: when two entities, be they human, object, animal, or nature, are able to hold on to their inner core, to the integrity of their identity, yet find a place of connection where they mold to each other creating mutual support. Why vessels? I have been attracted to vessels since an early age. I grew up in a country where archeology is everywhere, where holding a piece of clay from a broken vessel awakens the imagination. Who was that person that created that container hundreds or thousands of years ago? What was stored in this vessel? Food, coins, stories? What secrets? To me vessels are a metaphor for anything that contains a treasure, be it tangible or emotional, spiritual. Here are two entities captured in a perfect moment of connection sharing, if only for that brief moment, their inner treasures. Technique I work with clay as a carver. I mix various clays, of different textures and colors, to achieve the look of an archeological vessel that has been reassembled. I begin with a solid mound of clay and use my body, a mallet and knives to rough the form. When I'...

    James Piatt - i'm a conceptual artist working in a wide range of media and concepts. My major influences have been from the post war artists such as J.Beuys, with whom i corresponded and created empathic and political works in the 60's and 70's. I am interested in all information related to man , nature and aesthetics. I find the European aesthetic and American concepts/context in combination most interesting. A critic proposed," Piatt is an idiosyncratic and very individual artist who has been pursuing his own path for years without receiving the level of attention his work deserves. Perhaps this is because of the disturbing character of his sculpture and prints, which are both enigmatic and transgressive." ...

    Pica Mertvago - Sculpture offers me an opportunity to impose my aesthetic sense on the world around me, to give spontaneous expression to my feelings and ideas in a palpable three-dimensional form. The human figure is the natural embodiment for such feelings and ideas as they spring from the human heart and mind, and my figurative works seek to incarnate this. I interpret the reality I observe through the prism of what is pleasing to me. This is especially true for me when executing portraits, because portraits must be more than a mere reflection of a person's external appearance. To succeed, they must reveal the subject's underlying character and psyche, both of which have together molded the individual's recognizable features and personality. ...