Contemporary Art For Sale Price Range: $5000 - $10000

Page 6 of 132
Over 3809 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by James Gwynne, Ron Ogle, Alice Murdoch, Donna Gallant, Andrea Waxman Mulcahy, Marie-france Busset, Hans-ruedi Kammermann, Maciej Hoffman, Austen Pinkerton, Martin Glick, Andrew Mclaughlin, Wayne Quilliam, Eric Jacobson, William Christopherson, Lou Posner for the follwing mediums: 1. Links to more artwork and 132 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Ron Ogle: 'Morgan 1', 2012 Oil Painting, Portrait.  Anton Checkov: UNCLE VANYA: Sonya speaking:
, 2012
Portrait - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Alice Murdoch: 'Angel', 2011 Oil Painting, Figurative.     Girl on Priest's lap with lollipop                               ...
, 2011
Figurative - Painting
48 x 62 inches (121.9 x 157.5 cm)
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Donna Gallant: 'Old Man River', 2012 Oil Painting, Landscape.     Influenced by our vast skies, soft coulees and moving river, this piece was created for a special project Donna is involued in. ...
Landscape - Painting
64 x 40 inches (162.6 x 101.6 cm)
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Alice Murdoch: 'COCONUT CAKE', 2011 Oil Painting, Figurative.      Woman in bed with coconut cake                                ...
Figurative - Painting
48 x 62 inches (121.9 x 157.5 cm)
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Alice Murdoch: 'SECRET RENDEZVOUS', 2011 Oil Painting, Figurative.     Woman with pizza                               ...
Figurative - Painting
48 x 62 inches (121.9 x 157.5 cm)
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Andrea Waxman Mulcahy: 'Ambient Flow', 2011 Steel Sculpture, undecided. Abstract Steel Sculpture ...
undecided - Sculpture
28 x 12 inches (71.1 x 30.5 cm)
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Marie-france Busset: 'LE COQ A NEW YORK SUR LE PONT DE BROOKLYN', 2011 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Hans-ruedi Kammermann: 'metamorfosi', 2010 Oil Painting, Gestalt.
Gestalt - Painting
110 x 100 cm (43.3 x 39.4 inches)
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Maciej Hoffman: 'paper', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
210 x 190 cm (82.7 x 74.8 inches)
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Maciej Hoffman: 'dance', 2011 Oil Painting, undecided.
, 2011
undecided - Painting
210 x 170 cm (82.7 x 66.9 inches)
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Maciej Hoffman: 'sunset', 2009 Oil Painting, undecided.
, 2009
undecided - Painting
160 x 160 cm (63.0 x 63.0 inches)
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Maciej Hoffman: 'adolescence', 2010 Oil Painting, undecided.
undecided - Painting
210 x 170 cm (82.7 x 66.9 inches)
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Austen Pinkerton: 'THE BAY', 2011 Acrylic Painting, Other.   LANDSCAPE ...
, 2011
Other - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Martin Glick: 'AIDS Pieta', 2003 Bronze Sculpture, Representational.         This sculpture is one part of an AIDs monument that I have designed.  The whole of the sculpture would show all ways one can be infected with this dreaded disease.    ...
, 2003
Representational - Sculpture
18 x 18 inches (45.7 x 45.7 cm)
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Martin Glick: 'the Plight of Afro American Women with AIDs', 2003 Bronze Sculpture, Representational.        This sculpture is one part of an AIDs monument that I have designed.  The whole of the sculpture would show all ways one can be infected with this dreaded disease.   ...
Representational - Sculpture
27 x 27 inches (68.6 x 68.6 cm)
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Martin Glick: 'The Marking of Cain', 2010 Bronze Sculpture, Dance.
Dance - Sculpture
20 x 35 inches (50.8 x 88.9 cm)
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Andrew Mclaughlin: 'Iscariot Showers and the Second Coming of the Last Supper', 2011 Collage, Surrealism.
Surrealism - Collage
0 x 0 inches (0.0 x 0.0 cm)
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Andrea Waxman Mulcahy: 'Time In Space', 2011 Steel Sculpture, undecided.
undecided - Sculpture
32 x 34 inches (81.3 x 86.4 cm)
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Wayne Quilliam: 'Lowanna2010', 2010 Other Photography, nudes. Australian Aboriginal Artist Wayne Quilliam works with the female form and textures of the earth to create intrinsic designs...
nudes - Photograph
100 x 140 inches (254.0 x 355.6 cm)
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Wayne Quilliam: 'Lowanna', 2010 Other Photography, nudes.
, 2010
nudes - Photograph
100 x 140 cm (39.4 x 55.1 inches)
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Eric Jacobson: 'Mandala I   detail', 1998 Other Sculpture, Mandala.     DETAIL   This sculpture is an elegant interplay of organic forms, within a mechanistic structure       ...
Mandala - Sculpture
2 x 6 feet (0.61 x 1.83 m)
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Eric Jacobson: 'Mandala I', 1998 Other Sculpture, Mandala.       This sculpture is an elegant interplay of organic forms, within a mechanistic structure      ...
, 1998
Mandala - Sculpture
2 x 6 feet (0.61 x 1.83 m)
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Wayne Quilliam: 'lowanna', 2010 Body Art, nudes.
, 2010
nudes - Body Art
100 x 140 cm (39.4 x 55.1 inches)
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William Christopherson: 'Syracuse Strathmore Belleview Reservoir', 2009 Acrylic Painting, Landscape.  Original 24 x 30 inch acrylic on canvas by New York artist William Christopherson.  Title 2009 Strathmore Series 1 - The Res.  The Woodland Reservoir, in the Strathmore area of Syracuses, the artists boyhood home.  A place of solitude and exercise, where one can escape the neighborhood bustle and the noise...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lou Posner: 'The Tale of the Priest of the Nun', 2003 Oil Painting, Religious. Real titleThe Nuns Priests Tale a reference to Chaucer.  An artist friend befriends two nuns and learns a lot about life.  Dog observes.  Sour- puss passes judgment....
Religious - Painting
20 x 16 inches (50.8 x 40.6 cm)
Austen Pinkerton: 'Elephants', 2009 Acrylic Painting, Animals.
, 2009
Animals - Painting
32 x 24 inches (81.3 x 61.0 cm)
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Austen Pinkerton: 'The Paradise Garden', 1987 Acrylic Painting, Landscape.
Landscape - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Lou Posner: 'Cigarette Packs', 2003 Oil Painting, Activism. My former brands.  I quit on Jan.  13, 2001.  Canvas stretched over drywall board....
Activism - Painting
25 x 6 inches (63.5 x 15.2 cm)
Donna Gallant: 'lily', 2008 Oil Painting, Floral.  Larger than life, this piece is a part of Donna' s series UP CLOSE AND PERSONNEL.  Soft blue hues accented against the contrasting background and the white petals, makes this piece very calm but the size can be over whelming.  It was created on 9 - 16 x 20, to be...
, 2008
Floral - Painting
60 x 40 inches (152.4 x 101.6 cm)
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Ron Ogle: 'Ms Swafford', 2008 Oil Painting, Portrait. When you no longer compulsively label things, when you let go of attachment to your story, you become alive to the present moment. Presence arises and replaces the conceptual sense of self. [ Eckhart Tolle ]...
Portrait - Painting
18 x 30 inches (45.7 x 76.2 cm)
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(Page 6 of 132) - MORE ARTWORKS
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  • Artists Describing Their Art:

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    James Gwynne - Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. I'm intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpure and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...