Contemporary Art For Sale Price Range: $5000 - $10000

Page 9 of 131
Over 3795 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Richard Lazzara, Philip Hallawell, Bessie Papazafiriou, Wayne Wilcox, Andrew Wielawski, Ildiko Toth, Franziska Turek, Hyacinthe Kuller-baron, Nancy Bechtol, Eric Jacobson for the follwing mediums: 1. Links to more artwork and 131 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Richard Lazzara: 'atma revealed', 1992 Acrylic Painting, Culture. atma revealed by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'siva triptych', 1995 Acrylic Painting, Culture. siva triptych by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'spirals in counterspin', 1996 Acrylic Painting, Visionary. spirals in counterspin by Richard Lazzara is from the
Visionary - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Bessie Papazafiriou: 'Hera and Zeus', 2003 Oil Painting, Mythology.      According to Greek mythology, the gods often disguised themselves to trick or seduce other gods or mortals.  Here Zeus becomes a cuckoo in order to gain Hera' s favor.  She unknowingly caresses Zeus who eventually becomes her husband....
Mythology - Painting
25 x 33 inches (63.5 x 83.8 cm)
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Bessie Papazafiriou: 'Cherries', 1985 Watercolor, Still Life.      I had the opportunity to spend some time on a farm in Greece where I obtained a better understanding of farm life; the hard work, beauty, simplicity and closeness to nature.  In Cherries their crude farm tools are sprinkled with glistening cherries, symbolizing the fruit of their labor.Comments:  Contact...
, 1985
Still Life - Watercolor
32 x 26 inches (81.3 x 66.0 cm)
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Wayne Wilcox: 'Studio Still Life', 1975 Oil Painting, Representational.
Representational - Painting
60 x 70 inches (152.4 x 177.8 cm)
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Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Philip Hallawell: 'The Sentry', 1986 Oil Painting, Mythology.
, 1986
Mythology - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Ildiko Toth: 'Aquincum Installation1', 1994 Handbuilt Ceramics, Architecture. Water Wall for Podwer Room...
Architecture - Ceramics
78 x 70 inches (198.1 x 177.8 cm)
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Ildiko Toth: 'Malaga Installation1', 1994 Ceramic Sculpture, Architecture. Handbuilt Powder Room fantasy, inspired by the beauty of Andaluzia, with sculpturesque accessories for uniquespaces....
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Franziska Turek: 'satori', 2003 Other Painting, Abstract.
, 2003
Abstract - Painting
125 x 125 cm (49.2 x 49.2 inches)
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Franziska Turek: 'light horizon', 1996 Other Painting, Abstract.
Abstract - Painting
130 x 130 cm (51.2 x 51.2 inches)
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Philip Hallawell: 'Metamorphosis V', 1982 Oil Painting, Inspirational. Part of a series called Metamorphosis, which investigates the process of awareness, also related to the Encounter and Mask themes. ...
Inspirational - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Hyacinthe Kuller-baron: 'Foral Fantasy with Females', 2008 Giclee, Abstract Figurative. Floral Fantasy with Females captures the essence of beauty.One of two rare examples of paintings of women with flowers. The two make an excellent pair.AVAILABLE AS A  3x4' on canvas or paper, pencil signed by Hyacinthe, with hand painted touches  Original oil painting valued at $60,000. 00....
Abstract Figurative - Giclee
3 x 4 feet (0.91 x 1.22 m)
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Hyacinthe Kuller-baron: 'Floral with 3 Females', 2008 Giclee - Open Edition, Floral. NOW AVAILABLE AS A LITHO, 3x4' pencil signed by Hyacinthe. $3500. 00 on canvas or paper with hand painted touches.In the oil painting
Floral - Giclee - Open Edition
3 x 4 feet (0.91 x 1.22 m)
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Philip Hallawell: 'Judgement of Paris', 1987 Oil Painting, Mythology. Part of my Illiad Series, this paintings interprets the Judgement of Paris, which is actually prior to the Illiad, but the mythical event that caused the Trojan War. In my view, we are still obliged to choose as Paris had to....
Mythology - Painting
70 x 80 cm (27.6 x 31.5 inches)
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Nancy Bechtol: 'Freaks  Viruses Trojans and other Variants', 2001 Other Photography, Figurative. Experimental Work flashes the psyche. computer viruses and nature abound, all in relationship to us. This is an archival work printed on the new Epson Professional Printer, archival framing and inks ensured to over 200 years. ( I will not be here to prove it. . . ) but that is what is said....
Figurative - Photograph
24 x 26 inches (61.0 x 66.0 cm)
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Eric Jacobson: 'Nature in Balance', 1997 Steel Sculpture, Other. This painted steel sculpture is about balance and nature as displayed in the suspended mandela. The piece balances on its small base although it is slanted to one side. ...
Other - Sculpture
5 x 8 feet (1.52 x 2.44 m)
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(Page 9 of 131) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Franziska Turek - Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....