Contemporary Art For Sale Price Range: $5000 - $10000

Page 8 of 132
Over 3808 works of original contemporary art for sale in the price range $5000 - $10000. On this page you can find works by Eve Co, Jose Luis Lazaro Ferre, Hans-ruedi Kammermann, Wayne Wilcox, Nancy Bechtol, Tary Socha, Youri Messen-jaschin, Richard Lazzara, Philip Hallawell, Bessie Papazafiriou, Andrew Wielawski, Ildiko Toth, Franziska Turek, Hyacinthe Kuller-baron, Eric Jacobson for the follwing mediums: 1. Links to more artwork and 132 pages for works in the price range $5000 - $10000 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Jose Luis Lazaro Ferre: 'Hercules and the Cretan Bull', 2005 Collage, Figurative.
Figurative - Collage
112 x 152 cm (44.1 x 59.8 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jose Luis Lazaro Ferre: 'Hercules and Nemean Lion', 2005 Collage, Figurative.
Figurative - Collage
100 x 140 cm (39.4 x 55.1 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hans-ruedi Kammermann: 'song of the earth', 2005 Oil Painting, Inspirational.
Inspirational - Painting
150 x 180 cm (59.1 x 70.9 inches)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Still Life Red Yellow Blue', 1975 Oil Painting, Still Life.
Still Life - Painting
56 x 71 inches (142.2 x 180.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Nancy Bechtol: 'monkey gal', 1999 Computer Art, Portrait. Surreal portrait of an ancient woman, known as monkey gal....
, 1999
Portrait - Computer Art
24 x 26 inches (61.0 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tary Socha: 'Nebula', 2005 Acrylic Painting, Abstract. Space, universe, the macrocosm and the microcosm. All part of our place in this existence....
, 2005
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Youri Messen-jaschin: 'Isle de Wight IV d', 1972 Woodcut, Undecided. xylography Isle de Wight 4 prints. 1/ 15 5000. - $ the 4 prints(r) by 1972 Prolitteris Po. Box CH. - 8033 Zurich(c) by 1972 Youri Messen- JaschinSwitzerland...
Undecided - Woodcut
24 x 45 cm (9.4 x 17.7 inches)
Youri Messen-jaschin: 'Isle de Wight III c', 1972 Woodcut, Undecided. xylography Isle de Wight 4 prints. 1/ 15 5000. - $ the 4 prints(r) by 1972 Prolitteris Po. Box CH. - 8033 Zurich(c) by 1972 Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
24 x 35 cm (9.4 x 13.8 inches)
Richard Lazzara: 'original adi narmada lingam meteorite', 1993 Acrylic Painting, Culture. original adi narmada lingam meteorite by Richard Lazzara is from the
Culture - Painting
66 x 66 inches (167.6 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'chakra garden', 1995 Acrylic Painting, Culture. chakra garden by Richard Lazzara is available from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'atma revealed', 1992 Acrylic Painting, Culture. atma revealed by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'siva triptych', 1995 Acrylic Painting, Culture. siva triptych by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Hera and Zeus', 2003 Oil Painting, Mythology.      According to Greek mythology, the gods often disguised themselves to trick or seduce other gods or mortals.  Here Zeus becomes a cuckoo in order to gain Hera' s favor.  She unknowingly caresses Zeus who eventually becomes her husband....
Mythology - Painting
25 x 33 inches (63.5 x 83.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Cherries', 1985 Watercolor, Still Life.      I had the opportunity to spend some time on a farm in Greece where I obtained a better understanding of farm life; the hard work, beauty, simplicity and closeness to nature.  In Cherries their crude farm tools are sprinkled with glistening cherries, symbolizing the fruit of their labor.Comments:  Contact...
, 1985
Still Life - Watercolor
32 x 26 inches (81.3 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bessie Papazafiriou: 'Demeter and Poseidon', 2004 Oil Painting, Mythology.  Due to Demeters sorrow over Hades abduction of her daughter Persephone, Demeter had no interest in Poseidons advances.  She transformed herself into a white mare and fled to Arcadia.  Poseidon found her and transformed himself into a black stallion....
Mythology - Painting
36 x 24 inches (91.4 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Studio Still Life', 1975 Oil Painting, Representational.
Representational - Painting
60 x 70 inches (152.4 x 177.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'The Sentry', 1986 Oil Painting, Mythology.
, 1986
Mythology - Painting
80 x 60 cm (31.5 x 23.6 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ildiko Toth: 'Aquincum Installation1', 1994 Handbuilt Ceramics, Architecture. Water Wall for Podwer Room...
Architecture - Ceramics
78 x 70 inches (198.1 x 177.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ildiko Toth: 'Malaga Installation1', 1994 Ceramic Sculpture, Architecture. Handbuilt Powder Room fantasy, inspired by the beauty of Andaluzia, with sculpturesque accessories for uniquespaces....
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'satori', 2003 Other Painting, Abstract.
, 2003
Abstract - Painting
125 x 125 cm (49.2 x 49.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Franziska Turek: 'light horizon', 1996 Other Painting, Abstract.
Abstract - Painting
130 x 130 cm (51.2 x 51.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Metamorphosis V', 1982 Oil Painting, Inspirational. Part of a series called Metamorphosis, which investigates the process of awareness, also related to the Encounter and Mask themes. ...
Inspirational - Painting
60 x 80 cm (23.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Hyacinthe Kuller-baron: 'Foral Fantasy with Females', 2008 Giclee, Abstract Figurative. Floral Fantasy with Females captures the essence of beauty.One of two rare examples of paintings of women with flowers. The two make an excellent pair.AVAILABLE AS A  3x4' on canvas or paper, pencil signed by Hyacinthe, with hand painted touches  Original oil painting valued at $60,000. 00....
Abstract Figurative - Giclee
3 x 4 feet (0.91 x 1.22 m)
Like It   indepth artwork information   Add To Shopping Cart
Hyacinthe Kuller-baron: 'Floral with 3 Females', 2008 Giclee - Open Edition, Floral. NOW AVAILABLE AS A LITHO, 3x4' pencil signed by Hyacinthe. $3500. 00 on canvas or paper with hand painted touches.In the oil painting
Floral - Giclee - Open Edition
3 x 4 feet (0.91 x 1.22 m)
Like It   indepth artwork information   Add To Shopping Cart
Philip Hallawell: 'Judgement of Paris', 1987 Oil Painting, Mythology. Part of my Illiad Series, this paintings interprets the Judgement of Paris, which is actually prior to the Illiad, but the mythical event that caused the Trojan War. In my view, we are still obliged to choose as Paris had to....
Mythology - Painting
70 x 80 cm (27.6 x 31.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Nancy Bechtol: 'Freaks  Viruses Trojans and other Variants', 2001 Other Photography, Figurative. Experimental Work flashes the psyche. computer viruses and nature abound, all in relationship to us. This is an archival work printed on the new Epson Professional Printer, archival framing and inks ensured to over 200 years. ( I will not be here to prove it. . . ) but that is what is said....
Figurative - Photograph
24 x 26 inches (61.0 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Eric Jacobson: 'Nature in Balance', 1997 Steel Sculpture, Other. This painted steel sculpture is about balance and nature as displayed in the suspended mandela. The piece balances on its small base although it is slanted to one side. ...
Other - Sculpture
5 x 8 feet (1.52 x 2.44 m)
Like It   indepth artwork information   Add To Shopping Cart
(Page 8 of 132) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Franziska Turek - Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....