Artists Describing Their Art:
Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...
Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...
Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...
William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...
Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...
Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...
Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...
Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....
Johann Van Den Noort - Dutch native, painter and artist JOHANN VAN DEN NOORT (Kampen 1940) has an undeniable bond with the sea and therefore maintains a unique position within the modern art world. His passion for the sea and the way this passion is visualized through his original art form, secures him a position in the ranks of today's art world. JOHANN VAN DEN NOORT's paintings summon feelings of sovereignty. An exuberance arising from meeting the elements and visually capturing an abstract image into an emotoinal reality. Wim van der Beek, arteditor. JOHANN VAN DEN NOORT dominates all technics in the art like: oilpaintings, watercolours, gouache, graphics, ceramics and sculptures. His total oeuvre consists of over 5000 pieces of art. There are a lot of publications from him by radio, TV, newspapers, artmagazines and catalogues. Most of his work found a way to important art-collections all over the world. In 2005 Johann van den Noort was decorated by the Dutch Queen as Knight of the Dutch Lion for his complete works ...
Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<
> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...
John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...
Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...
Inn-Yang Low E.h. - International artist born in Singapore and living in Switzerland. Inn-Yang Low e.h. has made many art exhibitions all around the world. The understanding of movement is the basis of his art from calligraphy to performance on large scale canvas. As the symbol of eternal movement and vital energy, the dragon is one of his most favorite pattern. Frank Popper, Art critic, international curator and kinetic theorician, Paris, wrote in 2001 about Inn-Yang's art: "Artworks or projects of Inn-Yang Low participate from both kinetic art tradition that anticipates virtual computer art and the other kinetic stream based on vital energy." "Ses oeuvres ou projets repondent a la fois a la tradition cinetique qui se veut annonciatrice de l'art technologique et virtuel et, d'autre part, au courant cinetique qui met l'accent sur l'energie vitale." Aline Dallier, Art critic, Paris, wrote in 2001: "Inn-Yang is not only a painter of traditional and revisited dragons, he is also a kinetician and a performer. How does he integrate these two different kind of contemporary art? The calligraphy he practices since he is very young is a natural way of thinking the different kind of ...
Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...
Steven Power - STEVEN POWER Ultra realist painter of fantasy landscape / seascapes, Steven Power is continuing to gain reputation with art collectors worldwide. With each new piece that Steven creates the level of excitement in the galleries and throughout the art community increases. The comments from those visiting the galleries are often the same, whether from Japan, Australia, England, the U.S. or even Texas! "Steven's work captures the essence of Paradise!". "It's as though you can walk right into his vision of paradise" his paintings definitely have that effect on you. Steven has had a long love affair with the ocean and nature in general, his many years of surfing throughout California, Mexico and Hawaii searching for the perfect uncrowded wave, as well as exploring the mountains and deserts of California, Arizona and Nevada provide the inspiration for Steven's fantastic imaginary scenes. Images that some say are "believable, yet at the same time almost unbelievable" Born in 1956 in Detroit, Michigan, but raised at the beach in Los Angeles, Steven and his brothers took to surfing at an early age. Steven has been a dedicated surfer ever since. Steven has been capturing his adventures with pencil and paint for ...