Still Life Art For Sale

Artists Describing Their Art:

Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....

Kamal Bhandari - I am a contemporary realist painter based in India. I did three year diploma in Drawing and painting from Kumar College of Fine arts, Ludhiana under the supervision of Director and Senior faculty Mr.Raaz Thakur. Just back after attending Summer 2011 intensive workshop by Florence Academy of Art at Gothenburg Sweden. The instructors were Andreas Birath, Stephen Bauman and Cornelia Hernes, all my favourites. I have a strong desire study under Ted Seth Jacobs, Daniel Graves, John Angel, Jeremy Lipking, Morgan Weistling, Steve Hanks, Anthony Ryder and Jacob Collins. ...

Karen Parker - In terms of style I am a Classical Realist. I generally paint with oil, and especially like to use it for portraiture. With some paintings I begin with an imprimatura, for others I use a solid acrylic underpainting, later overpainting with transparent glazes and translucent scumbling and there are times that I paint alla prima. Using these methods, I paint landscapes, still lifes and portraits; painting my subjects from life, as it allows an intimacy that a photograph or a sketch cannot provide. Painting portraits provides me with the opportunity to create a work of art that encompasses beauty and timelessness. I paint with the idea that one day these portraits may become heirlooms, cherished by future generations. ...

Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...

Dina Elsayed Imam - I've always found a great satisfaction in the action of watching and in turn in the process of recreating the experience. This continuous process of understanding through visual experience made my work lean towards a more personal and expressionistic style. But that kind of expressionism sprouts out of a genuine desire to transfer a much more realistic truths about what I depict in my paintings. I make no attempt to constrain my interest in a single subject matter. but till now My main concerns lay with the human body and its surrounding space & objects. ...

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Fred Marsh - Impressionist Paintings of Australia, France & Scotland. Landscape, figurative, portrait, marine, miniatures and still life. Web page at www.MarshStudio.com Works are for sale. Please email me for price and availablity. Extensive experience in shipping paintings around the world. Initial inspiration for painting came from early studies of the impressionists, post-impressionists and the work of Turner. Generally my paintings stem from a variety of diverse landscape seen when travelling within Australia & to Europe. Paintings have been acquired for collections in most States of the USA, Canada, UK, France, New Zealand, Singapore & in all Australian states. Recently my painting of Edinburgh Castle was featured in the promotions for the US Television Series "I Married a Princess". Click on the painting for further information Every few months, I issue an internet based preview of new work to existing collectors of my work and to those who have asked to be included. This provides those people who have supported me, with the opportunity to first see and buy new works at a discounted price. You are welcome to participate in these previews, by clicking on this link Some thoughts about my painting aims. My painting has developed more intuitively rather than from ...

Susan Barnes - Since childhood, art has been a large and defining part of the person I have become and strongly influences the way in which I view the world around me. Having an artist grandmother, with a home studio, made it seem so natural a part of daily life. Hopefully this love of art will continue to be passed down through future generations. Painting is my passion. Although I am a representational artist,painting mainly in oils, my interest is not in copying a subject in a photorealistic way but rather to create something that is sensed on an emotional level in addition to what is seen with the eye. I paint both en plein air, which is both an exhilarating and challenging experience that feeds my soul, and in my Medford studio. Moving paint around is what it is all about, placing one piece of color against another to create that atmospheric effect and convey a mood. That's the mystery and illusion of painting. What attracts me are scenes infused with mood and atmosphere. There is no shortage of either along the coastal areas. Having spent summers for most of my life along the New Jersey shore has given me ...

Nora Meyer - I paint what I feel, what I imagine, what I'm reminded of, what I see and live. Some times I take a classic and rethink it. Some times my drawings are of every day items and the appreciation of their souls and their quiet drama. I find beauty in the patterns of shadows, the light and the darkness, the forms created amongst another. ...

Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)

Jo Mari Montesa - Of all the gifts God gave to man the finest is his free will. Second to life itself. It is the essence of man. It is what separates man from all the other creatures of God. By ones choice or action he is judged if he is worthy to be called the man created by God. The child of free will is art. It is man's self-expression. It is synonymous to freedom of expression. Every art is unique since every man is unique. How man perceives art is also unique as how man perceives beauty. As how man perceive life. Art is like life. It all depends to the person's perception. Truly beauty lies in the eyes of the beholder. The gauge of how beautiful life is, depends uniquely to every man. A professor of mine once walked in the streets of Manila during summer. It is very hot, humid and dusty. He noticed a very old beggar asking for coins to the passers while bathing to the heat of the sun all day. Beside the beggar was a newspaper stand. One tabloid headline reads'Young Matinee Idol Commits Suicide." My professor stops for awhile and asks ...

David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...

Bill Obrien - My introduction to art began at Corks Crawford Gallery where I attended art classes having won a local children's art competition. I strive for atmosphere in my paintings capturing serene uncomplicated mood. I am inspired by morning and evening light and my preferred media are acrylic or oil on canvas. ...