Still Life Art For Sale

Artists Describing Their Art:

Larsen Lena - At the vanity, chasing the dream that is often just a mirage, tired with stress and permanent search, at the stream of rushing days and years we sometimes stand motionless for a while seeing something beautiful: open flower, spring dusk, the picture that suddenly attracted our attention. It is possible that such abstractions and revelations are the main meaning of art. After all, the artist's brush can really fix the time, place, and mood, and capture for a moment our mind, tossing between past and future, and thus awake our feelings and thoughts......

Tony Masero - The great thing about beginning your career as a commercial artist is that it allows the opportunity not only to be flexible in artistic approach but also to adapt to different techniques and media. The human form has always been of great interest to me, whether it needed to be portrayed on a bookjacket or an advertisement. The possibility of exploring potraiture is enhanced today by the use of the digital camera and some of my work utilises my own photographs as a source material that is then transposed onto canvas. I enjoy capturing the sometimes secret moment, by means of the camera, which is swiftly lost without it. For me, the process of distilling that image into a network of texture, colour and brushwork allows the internal camera to function and carry the perceived image beyond the somewhat static vision of the digital into an area where mood and emotion work together for viewer and artist alike....

Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Edward Tabachnik - Edward Tabachnik Through all my works you will find that my attitude toward color and light combines tradition of impressionism with various surrealistic situations. Working on illustrations for Kafka's novels, I was looking for a symbolic image of a mystical town. I found it in Gaudi's "Sagrada Familia". Almost on each of my paintings you can see my "signature"- flying phantasmagoria tower, which has become for me a living entity, procreating itself, connecting The Past with The Future. Fascinated with the theory of Black Holes and the origin of The World is also reflected in many paintings in the form of "Singularity", through which Time passes, connecting The Past with The Future. I was always attracted to mystery of Kabbalah, and to other Jewish teachings. Many of my works are related to these themes. After seeing the destroyed Synagogue in Berlin, I've "recreated" it in my painting, and also dedicated a number of my works to Jewish History. In my works I try to blend my fantasy with sometimes well known, sometimes created architectural details. My schooling was both - in architecture and painting. My love for architecture can be seen through many of my works. There is ...

Jo Mari Montesa - Of all the gifts God gave to man the finest is his free will. Second to life itself. It is the essence of man. It is what separates man from all the other creatures of God. By ones choice or action he is judged if he is worthy to be called the man created by God. The child of free will is art. It is man's self-expression. It is synonymous to freedom of expression. Every art is unique since every man is unique. How man perceives art is also unique as how man perceives beauty. As how man perceive life. Art is like life. It all depends to the person's perception. Truly beauty lies in the eyes of the beholder. The gauge of how beautiful life is, depends uniquely to every man. A professor of mine once walked in the streets of Manila during summer. It is very hot, humid and dusty. He noticed a very old beggar asking for coins to the passers while bathing to the heat of the sun all day. Beside the beggar was a newspaper stand. One tabloid headline reads'Young Matinee Idol Commits Suicide." My professor stops for awhile and asks ...

Benjamin Oppong -Danquah - BENJAMIN OPPONG DANQUAH Producer of collarge art, paintings and wall hangings. Potraits, pet portraits and house potraits,Designs for textile prints,logos,illustrations and a painter/decorator. _____________________________________________________ I was born on the 5th of December 1967 in Accra Ghana. Had my O'level at Nsutaman Catholic Secondary School,Ghana. A'level at Wenchi Methodist Secondary School, Ghana. Finally had Diploma of Art at the University of Science and Technology Kumasi, Ghana. OTHER TRAINING Entrepreneurial courses and workshops in Accra, Ghana and foundation course in export marketing.Entrepreneurial training workshop on business management. WORK EXPERIENCE National Service at Asante Mampong National Service Secretariat on projects.As project person,I produce art works for the secretariat to raise funds.As a teacher I also taught Graphic design (Print Making), Picture making and calabash art at Cambridge Junior Secondary, a Private school in kumasi, Ghana.I also taught some senior secondary school students part-time in picture making. I am a member of Watford Area Art Forum, Watford African Caribbean Association in Watford Britain. I have done few art workshops in drawing and painting in Watford. I have my own registered company in Ghana a small scale company (Ben-Art Enterprise) and...

Daniele Lemieux - My work is a celebration of humanity as represented by the universally familiar. I seek to instill the commonplace with the same reverence given by 17th century masters to objects denoting wealth and social position. As an antidote to modern day excessiveness, my deliberate choice and treatment of objects is an invitation to revisit the quiet dignity and poetry of the basic form. Objects become icons; valued for usefulness, not decoration; acquired through need, not through want. Stripped of artifice, they are symbolic of the desire to return to that which is true. My compositions are often loosely based on the classic triangle and are centered in the picture plane. This combination allows for a calm balance that can border on the spiritual. My artist's eye edits out the superfluous, seeking harmony and peace, offering the viewer a place where order replaces chaos.contemplation leads to an affirmation of self-worth. "The profoundest order is revealed in what is most casual." (Fairfield Porter) ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Georgina Love - I paint because I love to. You will not find "distilled images resonating with the inner angst of the human" on my site. Shallow? Perhaps. I firmly believe, however, there is nothing wrong with simply being inspired and painting in spite of what "they" say. I have found that such works are very successful, moreover, they do ultimately speak to the viewer who is then free to attach meaning to my work or simply own it because they love it. My latest inspiration was a trompe l'oeil exhibit. It was a number of years ago I saw it, but at that time decided the genre appealed to me. Painting is nothing but illusion, and creating these illusions are especially --- FUN! My website, paintedskye.com has a selection of my classical horse portraits along with the new trompe l'eoil works. Commissions are welcome. Visit and enjoy! ...