Still Life Art For Sale

Page 14 of 35
Browse 1014 Still Life artworks for sale. Contemporary artists: Timothy King, Dana Zivanovits, Marlies Najaka, Alison Saldana, Marc Awodey, Leyla Munteanu, Ellen Rosenberg, Felix Felo Lugo, Kelly Parker, Ranjan Sharma, Carol Griffith, Jeanie Merila, David Hum, Michael Leyton offering Still Life artworks. Links to more artworks by these contemporary artists and 35 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Still Life art simply click on the image to go to a more detailed page about this work of art.


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Dana Zivanovits: 'HOG SKULL STILL LIFE', 1981 Watercolor, Still Life.  This artwork is done in watercolor and gouache on Arches all rag acid free paper- a signed Zivanovits original. ...
Still Life - Watercolor
26 x 20 inches (66.0 x 50.8 cm)
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Timothy King: 'Two Pears and Knife', 2006 Oil Painting, Still Life.
Still Life - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Marlies Najaka: 'Unwound', 2006 Watercolor, Still Life.  Watercolor painting of ribbons reproduced as a limited edition giclee print. ...
, 2006
Still Life - Watercolor
24 x 24 inches (61.0 x 61.0 cm)
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Dana Zivanovits: 'BOTTLE STILL LIFE', 1980 Watercolor, Still Life.   Watercolor on heavy watercolor paper- an early work from 1980. A signed and dated Zivanovits original. SIZE: 16
Still Life - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
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Dana Zivanovits: 'MASK STILL LIFE', 2005 Pen Drawing, Still Life.   Sepia ink, reed pen and wash on Fabriano, acid free watercolor paper- a signed and dated Zivanovits original...
Still Life - Drawing
10 x 13 inches (25.4 x 33.0 cm)
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Alison Saldana: 'Olive Harvest ', 2006 Mixed Media, Still Life.
Still Life - Mixed Media
320 x 320 mm ( x )
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Alison Saldana: 'Blue Jug ', 2006 Mixed Media, Still Life.
, 2006
Still Life - Mixed Media
320 x 320 mm ( x )
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Alison Saldana: 'Pomegranite Vase ', 2006 Mixed Media, Still Life.
Still Life - Mixed Media
320 x 320 mm ( x )
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Alison Saldana: 'Three Pomegranates ', 2006 Mixed Media, Still Life.
Still Life - Mixed Media
410 x 350 mm ( x )
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Marc Awodey: 'orange and green still life', 2006 Other Painting, Still Life.
Still Life - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Dana Zivanovits: 'OIL LAMP', 2001 Oil Painting, Still Life.  A oil lamp still life with a cubist slant. Oil on linen.  An original signed Zivanovits. ...
, 2001
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Dana Zivanovits: 'ROSE OF SHARON', 1985 Watercolor, Still Life.   An earlier watercolor on all rag acid free paper- a signed and dated Zivanovits original. ...
Still Life - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Dana Zivanovits: 'THIRTIES STILL LIFE', 2004 Monoprint, Still Life.  This is a mono type pulled from a painted glass plate  done on acid free Japanese rice paper paper- a signed and dated Zivanovits original. Image 6 1/ 2
Still Life - Monoprint
18 x 12 inches (45.7 x 30.5 cm)
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Leyla Munteanu: 'The Morning tea', 2006 Watercolor, Still Life.
Still Life - Watercolor
14 x 11 inches (35.6 x 27.9 cm)
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Ellen Rosenberg: 'seats together', 2006 Silver Gelatin Photograph, Still Life.
Still Life - Photograph
16 x 20 inches (40.6 x 50.8 cm)
Felix Felo Lugo: 'SITTING IN THE EAST', 2014 Mixed Media, Still Life.
Still Life - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
Kelly Parker: 'Green Table', 2005 Oil Painting, Still Life. still life in oil.  shipping to US residents is included in the price. ...
Still Life - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Ranjan Sharma: 'Shadow', 2006 Black and White Photograph, Still Life.
, 2006
Still Life - Photograph
20 x 12 inches (50.8 x 30.5 cm)
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Carol Griffith: 'Caprice', 2003 Watercolor, Still Life. Caprice evolved out of a series of watercolors playing with pattern and its sources in three dimensions. ...
, 2003
Still Life - Watercolor
332 x 42 inches (843.3 x 106.7 cm)
Carol Griffith: 'Pattern Painting Fish', 2001 Watercolor, Still Life. Part of a series of watercolors playing with pattern and its sources in three dimensions. ...
Still Life - Watercolor
29 x 20 inches (73.7 x 50.8 cm)
Carol Griffith: 'Pattern Painting Abstraction', 2000 Watercolor, Still Life. Part of a series of watercolors playing with pattern and its sources in three dimensions. ...
Still Life - Watercolor
21 x 29 inches (53.3 x 73.7 cm)
Carol Griffith: 'Pattern Painting Linearity', 2000 Watercolor, Still Life. Part of a series of watercolors playing with pattern and its sources in three dimensions. ...
Still Life - Watercolor
29 x 20 inches (73.7 x 50.8 cm)
Carol Griffith: 'Pattern Painting Circularity', 2000 Watercolor, Still Life. Part of a series of watercolors playing with pattern and its sources in three dimensions. ...
Still Life - Watercolor
29 x 21 inches (73.7 x 53.3 cm)
Jeanie Merila: 'Still Life with Chinese Vase', 2004 Acrylic Painting, Still Life.
Still Life - Painting
81 x 76 cm (31.9 x 29.9 inches)
David Hum: 'tulip 4', 2000 Silver Gelatin Photograph, Still Life. series of floral stills...
, 2000
Still Life - Photograph
14 x 11 inches (35.6 x 27.9 cm)
David Hum: 'tulip 1', 2000 Silver Gelatin Photograph, Still Life. series of floral stills...
, 2000
Still Life - Photograph
14 x 11 inches (35.6 x 27.9 cm)
David Hum: 'sunflower twist', 2000 Silver Gelatin Photograph, Still Life. series of floral stills...
Still Life - Photograph
14 x 11 inches (35.6 x 27.9 cm)
David Hum: 'canna leaf', 2000 Silver Gelatin Photograph, Still Life. series of floral stills...
, 2000
Still Life - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Michael Leyton: 'Swing', 2005 Cibachrome Photograph, Still Life.
, 2005
Still Life - Photograph
13 x 19 inches (33.0 x 48.3 cm)
Marko Janicki: 'The black man', 1999 Oil Painting, Still Life. Part of my shopwindows at night seria. This one is from a toy shop where a huge figure of a black man stood. September 1999. ...
Still Life - Painting
70 x 50 cm (27.6 x 19.7 inches)
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(Page 14 of 35) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

    Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

    Alison Saldana - After my graduation I spent many years living abroad and teaching Art. I'm working towards my goal of becoming a practicing artist and have been exhibiting and selling work since 1999. The years spent in Greece remain the greatest influence on my work. I'm still fascinated with all things Greek, its myths and history. Colour and texture permeate my work - I use autographic elements, fragments, classical images and found objects collected on my travels. Whether in paint or print I build up the piece by multi-layering; sifting through the veils of meaning to convey a sense of something that is elusive, intangible and archaic. ...

    Marc Awodey - "My statement IS the work." Awodey received his MFA from Cranbrook Academy of Art in 1984. Hundreds of his works are in private collections around the USA. Awodey lives in Burlington, Vermont- one of the most active arts enclaves in in North America. He teaches fine arts at Burlington College and The Community College of Vermont, is an award winning art critic, and has published 3 books of poetry. Resume and slides are available on request. Awodey's vision is unique, and his work may be considered investment quality. Click on "send the artist an email" for further information. "I do not try to be profound. My only concern is to make pictures that work - I can't worry about critical relevance, or what a viewer might discover in a piece. Such are not for me to know. I am a figurative painter who is, nevertheless, more focused on formal issues than narrative content. Narratives are egocentric, and I am an artist of the Id. Textures, color, and line are the Id. I establish a dialog with each canvas, and let it develop on its own terms - so my pictures are very simple and direct. The anatomy of the picture...

    Leyla Munteanu - ARTIST'S STATEMENT Leyla Munteanu I have always felt a special connection with textural surfaces and the human figure. The beauty and strength in human features was a preferred subject in my work. Now I am focusing on the nostalgic. My love for the human figure has evolved into an interest in what they leave behind. Human marks left on objects and surfaces over time become more important than representation of the people who made the marks. I find my inspiration in immediate surroundings, and I hope that my work will lead the viewer to see the beauty that I see. First impressions are everything. Most often my depictions of those experiences are simply my way of saying "you should see what I saw!" Each piece has special meaning to me, which will not necessarily be the same meaning the viewer may attach to it. Art tells us something about ourselves and my work is the world as I see it, a world that brings back memories. I grew up in Bucharest Romania, a town marked by a long history; every place was worn by time or human nature. I'm still amazed by my memories of these places. All ...

    Ellen Rosenberg - aEURoeWhen you approach something to photograph, first be still with yourself until the object of your attention affirms your presence. Then donaEURtmt leave until you have captured its essence.aEUR Minor White Art is neither a profession nor a hobby. Art is a way of being. It is an expression of the human spirit and an integral part of all beings. My creative passion is expressed through the art of photography, allowing for a vocabulary of imagery that is my own. These photographs arise out of my own spirituality, a practice of mindfullness and being fully awake to the present moment. As my journey has taken me deeper into the study of Dharma I have recognized that the camera becomes an extension of my being. I bring the camera to my eyes and aEURoefeelaEUR the image that appears in front of me with a heightened awareness. An opening to the world precisely as it is, offering up all the richness and beauty that is present within this moment of time. I seek to create an intimacy with my photographs, allowing for the viewer to feel the art form, not as a two dimensional visual archive of a moment, but to...

    Felix Felo Lugo - Felix (FELO) Lugo is an American award winning artist, who is best known for his use of strong color and interesting perspectives. He studied at New York Technical College and majored in Advertising Production Management. For 13 years he helped produce posters and color-centered projects including for organizations such as the Metropolitan Museum of Art, New York Botanical Gardens, Guggenheim Museum and the MTA. In 1990, Lugo was recognized for his professional efforts and awarded the exceptional award of "Craftsman of the Year" by the New York City Printing House Craftsman. This is a local club of The International Association of Printing House Craftsmen, an international organization dedicated to individuals in the printing and graphic arts industry. In 1992, Lugo co-produced a graphic book called "Barnabus". He showcased his new book at the Long Island Sport Show. That same year he created a graphic printing process called "Reflecto Card Design", which utilizes offset printing with foil stamping. His interest in painting began when he befriended Angelo Romano, an artist known for his angel frescos. It was with Romano when Lugo began to learn how to paint. Romano encouraged Lugo to continue painting and later introduced him to Esteban ...

    Kelly Parker - Kelly Parker is a contemporary mixed media artist working with a varied mix of items, some of which include paper, oils, acrylics, clay, and other natural and man-made materials. Currently, Kelly is working in oils creating colorful, abstract landscapes and black and white handpulled prints. You can see more of her work www.kparkerdesigns.blogspot.com Kelly also takes paypal please email her directly for available work, payment on a work of art or to inquire about a commission. ...

    Ranjan Sharma -

    Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...

    Jeanie Merila - Art surrounds my life like a blanket, filling my senses with joy and giving me a place to weep with color. Sometimes art is a mirror of my life, but other times it is what remains after life filters through my vision. My art is about color and light. The way light bounces off buildings in the afternoon sun, shadows flickering like transforming clouds. The colors vibrate next to each other, the patterns of leaves and bricks create harmony. The wavering reflections in windows, puddles and canals continue to fascinate me - sky and water become one. I have painted flowers over and over for 20 years, yet the pure hues continue to blend and dance in my watercolors like newborns. The silence of the ocean as I swim below the surface inspires me. The waves above leave twisting shadows on the progressing, swirling sand. The rainbow fish darting among the coral remind me of insects hovering around thriving buds as I gaze into the mystery of the deep azure, waiting for the turtle, manta or shark. The breath of my soul is often revealed through the mystical depths of the ocean or the burst of color on a fragrant bloom. ...

    David Hum - Philosophy : Every now & then, amidst our daily lives, we experience moments in time. Peter Beard's quote " the time is always now " rings true for me. The present time is a valuable commodity and much often taken for granted. Photography transcends how the philosophy of art is expressed with such elegance. I capture these decisive moments revealing the pure essence of life. Instants in time, evidence of past. Life is a snapshot away. Capture it and its forever, timeless. Light emits life to all we see, a luminous world essential & pure. My journey, fragments of time & light. David Sun Hum...

    Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...