Paintings For Sale - Price Range: $300 - $399

Page 1 of 64
Discover 1,831 original painting artworks for sale between $300 - $399. Contemporary emerging artists: Jennifer Bailey, Anita Zotkina, Paulo Medina, Jinsheng You, Caren Keyser, Vladimir Volosov, Joyce Waddell Bailey, Edna Schonblum, Jerry Di Falco, Teri Paquette, Denise Dalzell, Andrea Mulcahy are exhibiting their affordable original art. You can buy artwork online and browse 64 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jennifer Bailey: 'warmth', 2020 Oil Painting, Abstract. Seeing every sunset from my home inspired this piece. The changing of seasons brings an abundance of differing sky colors. I wanted to exude a feeling of end of summer warmth and joy. ...
, 2020
Abstract - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Anita Zotkina: 'vermont field', 2014 Oil Painting, Landscape. Summer field in Vermontthis artwork is made on canvas panel, and has a brown wooden frame ...
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Paulo Medina: 'the wedding banquet', 2020 Acrylic Painting, Religious. The kingdom of heaven is likened to a king who made a marriage for his son. Mt. 22...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Jinsheng You: 'passion 690', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Caren Keyser: 'plants and planets two', 2020 Acrylic Painting, Expressionism. Asteroids and other space objects continually pass near us here on earth.  These two paintings  Plants and Planets ONE and TWO  capture a sense of these near experiences and possible collision.  These acrylic paintings on canvas exhibit a good deal of texture that is enhanced by a high gloss varnish.  ...
Expressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vladimir Volosov: 'bright autumn', 2013 Oil Painting, Landscape.     This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Painted with a palette knife. Original Artist Style aEUR
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vladimir Volosov: 'forest etude', 2016 Oil Painting, Impressionism.     This is an original unique textured oil painting on  Nanvas on a wooden underframe.  Painted with a palette knife. Original Artist Style aEUR
Impressionism - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Joyce Waddell Bailey: 'ponciana forest', 2019 Other Painting, Representational. The area where I live is surrounded by Ponciana trees which burst into bloom in shocking clumps of orange that hide the structure of the tree. I try to capture the moment when all the excitement takes place. In a related work  Ponciana Bloom  I answer the question of how ...
Representational - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Caren Keyser: 'plants and planets one', 2020 Acrylic Painting, Expressionism. There are always Orbs shooting through space and some are near the earth.  Here I suggest the plants here on earth as the asteroids approach and hopefully continue to pass by us. ...
Expressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Vladimir Volosov: 'evening soon', 1993 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Landscape - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Vladimir Volosov: 'breath of autumn', 1992 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Landscape - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Edna Schonblum: 'quarantine number 3', 2020 Oil Painting, Seascape. during this dificult time we had I did a serie of litle paintings wishing I was there...
Seascape - Painting
30 x 20 cm (11.8 x 7.9 inches)
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Jerry  Di Falco: 'synagogue in budapest', 2020 Other Painting, Judaic. DiFalco unites the genres of printmaking and painting in this unique work on paper, which also depicts a scene from the city of Budapest.  The media include etching ink, RivesBFK white paper, gouache, pulverized mica, gold dust, Gouache, and Windsor Newton watercolors.  The image was adapted from a photo taken ...
Judaic - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'paris in violet', 2020 Other Painting, Landmarks. FRAME measures about 26 inches high by 12 inches wide.  This work incorporates the genres of printmaking and painting.  It is an etching that was enhanced with gouache and watercolors.  The media for this multiple zinc plate etching includes RivesBFK paper, a blend of oil based ink.  shand- dyed mulberry ...
Landmarks - Painting
12 x 26 inches (30.5 x 66.0 cm)
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Caren Keyser: 'covid fever dream', 2020 Acrylic Painting, Abstract. I painted this when Chris Cuomo was talking about his fever dreams from Covid19.  I hope I never have it.  Take a minute to look closely at this painting.  Do you see the torso of the person in the yellow atletic shirt fleeing off to the right of the paintingDo ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Teri Paquette: 'anchored boats', 2020 Oil Painting, Seascape. ORIGINAL OIL- EARLY MORNING DAWNING LIGHT- BOATS ANCHORED- OCEAN- WHITE FRAMED...
Seascape - Painting
17 x 14 inches (43.2 x 35.6 cm)
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Teri Paquette: 'sailboats', 2020 Oil Painting, Seascape. ORIGINAL OIL PAINTING- FEATURES THREE SAILBOATS IN OCEAN- ROCKS- COLORFUL SKY- SEAGULLS- SIGNED...
, 2020
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'camden in new jersey', 2020 Other Painting, Cityscape. This unique, original work - - which ships to the buyer with a mat and frame - - combines the genres of printmaking and painting.  This mixed media study started with an earlier printmaking proof, which the artist recently enhanced with gouache and watercolor.NARRATIVEThis scene was based on a snapshot taken by ...
Cityscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'cocteau number one orpheo', 2020 Other Painting, Movies. This work, which incorporates the genres of printmaking and painting, is a study from French Cinema.  I combined an artist proof of one of my etchings and enhanced it printed with gouache, watercolour, and Japanese gold Sumi ink.  The etching was created with the studio techniques of intaglio, aquatint, Chine ...
Movies - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Denise Dalzell: 'landing', 2020 Acrylic Painting, Abstract. An illustration of travelers interacting as they  emerge from a public transit station. ...
, 2020
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Paulo Medina: 'Mujeres caminando con Jesus ', 2020 Acrylic Painting, Religious. Small picture for devotion ...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Jinsheng You: 'abstract 639', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract - Painting
60 x 120 cm (23.6 x 47.2 inches)
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Jinsheng You: 'abstract 634', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Jinsheng You: 'abstract 621', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original abstract oil painting on canvas, it is one- of- kind, i have got it done recently.Due to long distance, the painting will be rolled in a tube for shipping, without framing or ...
Abstract - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Paulo Medina: 'jacobs dream', 2020 Acrylic Painting, Religious. How full of awe is this place. Gn 28, 10- 19...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Paulo Medina: 'in the night of faith', 2020 Acrylic Painting, Religious. He continues to enlighten us in the night of our faith...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Edna Schonblum: 'framed 3', 2019 Oil Painting, Seascape. a detail from the high sea...
, 2019
Seascape - Painting
32 x 32 cm (12.6 x 12.6 inches)
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Edna Schonblum: 'high sea serie number 40', 2019 Oil Painting, Seascape. it s a view from the sea movement ...
Seascape - Painting
27 x 16 cm (10.6 x 6.3 inches)
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Andrea Mulcahy: 'Swept 2', 2019 Acrylic Painting, undecided. Abstract ...
, 2019
undecided - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Andrea Mulcahy: 'life cycle', 2019 Acrylic Painting, Abstract. Representation of the life cycle...
, 2019
Abstract - Painting
24 x 10 inches (61.0 x 25.4 cm)
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(Page 1 of 64) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Anita Zotkina - I treat my art creation as a spiritual practice. I paint whatever comes to mind. Most of the times it is women, animals, spirits and their interactions. I get inspired by being alive. Several times I tried to stop painting, so I could have more time for other activities, but every time I found an excuse to continue to create. I donaEURtmt have a special painting technique I just paint until my work seems to be completed. ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and like many artists, including Picasso, I create artwork in a distinct series of related images. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. The iconography within each series varies. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to its environment al placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a variety of techniques. For example, by using shallow planes, I frequently push forms ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...